lunes, 2 de mayo de 2011

Coffee/Chess




2 carajillos on a corner table

one baileys, one brandy

You play white, move first


the smoke extends, over the table

at our backs a girl bitches about her girlfriend

to a girlfiend, and a waiter drops a tray

with a clatter that seems to affect

the course of the smoke that courses

upwards from an ashtray.


You move first, attacking with talk of moving forward

your pawns arranged in a piercing v

a native american arrowhead


i move black to distract you

opening up your back line,

With a flick of the eyes down and to the side

you notice and swiftly counter

moving pieces to protect and the war starts

on two fronts.



"she's mixed up, ill in the head"

the girl behind explains and her friend

ashamed, plays confidant

unwilling to enrage


We play till late, the coffee drained

the lines blurred, fingers blood stained

From fallen knights and gallant acts of

strategic self-sacrifice.


Until the game stalemates,

without an end, our fingers locked

black and white across the table

A glance betrays the two glasses

empty save for flecks of coffee foam

Identical in all except the memory

of what they once contained.


Foto: Ari Marcopolous


martes, 5 de abril de 2011

Just We




I'm trying to write about our fucking relationship
without using "fucking" as an adjective.

It's harder than you'd think.
Harder than it should be i think
which makes it stay there. Fucking
in the middle of everything

fucking things up.

Fucking you and fucking me

Fucking who?

Nobody, seriously,
I swear.

Sometimes i think our fucking relationship
is a prism. An object that when hit by
a single point of light, splits it up into a spectrum.
too many colours. Like benneton.

(i realise i just compared
our fucking relationship
to a chain of clothes shops
And a chain of clothes shops
to a prism)


Fuck Ra, let's make out
under neon light.
It's diffusive not divisive,
and we can be effusive
Ignoring the missives
sent by errant particles
Lasers shot by bastards.

No fucking you and fucking me
our relationship:
just us.
And to hell with dichotomy.

Fotos: Harley Weir

martes, 29 de marzo de 2011

When i'm drifting off




It's not quite black
In the bedroom.
There's a glow from the streetlight
that sneaks in through the curtainless windows.

Stronger on overcast nights like tonight
When the streets are oil slicked with rain

And owners keep their dogs inside.

Beside -
An inaccurate preposition to describe
the tangle of arms and legs and flesh
Your head on my chest, or mine on yours,
the pampas movement of a strand of hair
lifted by a steady breath.

In the not quite darkness
a sour cherry smell
curls over from the bedside table

My last thought before sleep is of
An empty yoghurt pot, a scooped out shell
The spoon dipped in, a half moon of Fruits of the forest
clinging to it's leading edge
like a fingernail.

Foto: Sandy Kim

viernes, 25 de marzo de 2011

Sheets




The lamp is resting
After 5 hours

Shining on the remains
of cut folios,
Negative space of newspapers
and magazines

A raggedy pile of offcuts
and cutoffs
like winter leaves.

Or dirty clothes.

The pile grew as the zines took shape
Cut copy paste
but with sinister fingers
and a sense of haste

A process of undressing

Freeing black lines
from their white cages
Trimming and sticking
onto pages

I'm drifting off beside you
the lamp resting,

And in the darkness
of fresh pressed sheets
A perfect body
of work's heart beats.

Foto: Skye Parrott

miércoles, 23 de marzo de 2011

Lessons




In the two weeks since i saw you last
Your hair has grown two inches.

Where before the ends lay flat,
Cirro-stratus strands weave a swarthy crown
of feathers: Ducks down.

De espaldas, i didn't know it was you.
I need an eye-test, my head checked.
I make a mental checklist of things
never to forget:
Your lips. And the soft pink bridge
of the nape of your neck.

Foto: Adria Cañameras

martes, 1 de marzo de 2011

Song (Island Life)




I've never seen the Pacific
But it'd be terrific
To see that sea with you

And the rivers, carve
Fissures in the sand
Forming the land

Island life
Island life
I learned life
With you

The motion of the ocean
Isn't governed by the moon

When we swoon
I get the feeling
There's an animal breathing
In and out

Creating tides

Island life
Island life
I learned life
With you.

Foto: Petra Collins

lunes, 21 de febrero de 2011

Before the Weekend


Foto: Angela Stephenson


It was going to be your birthday the Saturday.
The Friday morning, i was by the window with a cigarette
Looking out at the low roofs under the gentle lace of the 8am sunlight,
Perched over the city, or our portion of the city.

A seagull floated by close to the ledge.
It had a large wingspan, and was going no place in particular,
Just soaring.
Then another, bigger or closer i couldn't tell. It all happened so fast

I thought of catching them somehow
And tying a banner between them
"Ainhoa I Love You" and setting them free again

It was going to be your birthday the Saturday
And the Friday morning, i wanted our love
to unfurl over the city, over our portion of the city
over the shoppers in El Gotico
Over the faithful in La Sagrada Familia,
Over the mopeds and commuters on Diagonal
And then out to sea
Under the gentle lace of the morning sun.

domingo, 13 de febrero de 2011

This is Just to say.




Our bodies sleeping
make the shape of a cartoon heart.
Knees touching, backs arched away
Noses touching.

Faces so close the focus fades
and flickers. Camera angles all wrong for porn
but for an indie film
A mumblecore magnus

it'll do.

"You made me think it didn't matter
until it mattered"

I wrote on hotel note paper.
And: "The other night,
When we were asleep in some Hotel bed, your breath
Moving through your voicebox
Made perfect harmonics."
I wrote a verse about "Your timpani breasts
and violin bow legs"

It is in the moments close to sleep
Where my chest swells. In the static of closed curtain night vision,
too dark for any camera
The touch of hotel sheets
and your body underneath
?

martes, 8 de febrero de 2011

Moon Pix

Photo by Ray Potes

"Have you ever seen a Cheshire Cat Moon?"
We're nowhere romantic. Leaning out of the window of her apartment block and smoking. It's not cold enough for our breath to condense yet. It's early in the death of the year.

"Isn't it like that tonight?"
"Not really. It's too yellow. I saw one once from the backseat of my parents car. We were driving through Florida, one of those 30 hour drives we would make in the summer."
"What did you think about on those drives?"
"Late at night when there was nothing to see but i wasn't tired enough to sleep i would sing to myself."
"Along with the radio?"
"No, just the songs i knew by heart. I was 10 or 11, and it was mostly Bon Jovi and Belinda Carlisle"
"I once got shouted at by a friend of my older brothers for getting the words to Heaven is a Place on Earth wrong."
"What are the lyrics to that? Do they even make sense? 'Baby do you know what's worth'"
"Baby, do i know what what's worth?"
"Do you know what's worse?"
"What's worse?"

She doesn't answer. We're both staring up into the too yellow moon, lost in our imperfect thoughts.

jueves, 27 de enero de 2011

My Heart Hangs In The Air



Ask a question and you'll get an answer yeah
but no-ones talking in here
and my heart hangs in the air
my heart hangs there

Take the dog out for a walk
along the winding frozen paths
The walls are cracked
and all the talk
is not of us it's of the past

So don't you say
you'll never leave
cause we were born of falling leaves
And all the lamps
that light the streets
are burnt out memories

Listen

miércoles, 26 de enero de 2011

The last time i saw Matthew




I remember him as this kid, white blond hair, scared of everything. He was born prematurely and once when we went camping with a friend of my dad who was in the US airforce, he pissed himself. Luis was telling a ghost story about a man who had a claw instead of a hand. Too much Tango said my dad, but Luis' stories were genuinely scary. Once when we were driving he talked about a friend of his whos head had been held to the tarmac out of a moving car. How the skin flaked off, his face ground down to the bone. Luis always had the latest films, things he'd pass to my dad, like 9 1/2 weeks or Basic instinct, often a full half year before they were out here. And others, that i could watch, like Arachnophobia. Although that was shit scary to a 9 year old kid.

I don't know what happened to luis. His marriage broke down after his wife maria discovered he had given her AIDS. He swore he never knew, blamed the 1980's, the army. whores, whatever, and was stationed in the gulf for a while. We got one postcard: Missing you from the biggest beach volleyball court in the world" and then nothing. Maybe the ilness progressed suddenly, and he's buried in puerto rico. Who knows? I know my dad stopped saying 'yo' when he picked up the phone.

For my dad Luis must have been a link to a past spent idolising americans, bell bottomed flares and 70's hairdo's. A life he gave up for my mum and me. For Matthew, Luis pointed the way to the future. The Army, coarse jokes, chain smoking and brutality. It always seemed such an unlikely course for such a sickly kid.

But then when he was 11, Matt looked 14. He was six foot two, and shaving the last time we went on holiday, to one of those woodland camps with an artificial rainforest in a big plastic dome, that spread accross europe like coldsores in the early 90's. I was just 15 and madly inlove with a girl who had taken to the bottom of the garden and taught me to kiss properly. It turns out she was a lesbian, and had been taught the same trick by a 19 year old windsurf instructor in Dorset the summer before. Interesting how even teenagers still repeat things to learn. Matt, was 6 months older but looked like a young man. His broad shoulders and wide aureoles, earned him the name Pizza Nipples in boarding school, but he was already smoking and fucking girls. He wasn't cold then, not yet, but bore the image that had been thrust upon him unasked for well - already then, playing up to the disparity between how others saw him and how he saw himself with a quietness that made him cool. I reacted, by smoking weed for the first time at 3 am on the crazy golf course with a sixteen year old in a dreamscape jacket who talked about pills and raves like they were an everyday thing. Before that on the same night someone had glassed me lightly on the dancefloor in the disco, leaving a bruise and a shallow cut on the bridge of my nose.

i digress.

The next year, after an abortive attempt at college, and 4 months spent working at his dad's electronics factory, Matt enrolled in the army as an NCO. Before when we talked about it, he'd go on about officers training at Sandhurst, but when he finally made the decision to go in, he did it at the lowest possible level. We stopped taking for years, when on a car ride i said that i wouldn't die for my queen, country or God, that all three of them were bullshit concepts designed to make people do things that normally they wouldn't. 6 months into his first tour of Northen Ireland he showed me his tatoo of a viking on his shoulder. 2 years later he was in Afghanistan, and then Iraq.

The last time i saw him was at my mums' 50th birthday. I had no idea that he was in the country, least of all towing a three year old kid behind him. She looked like the quintisential war child, with a bump on her forehead from where she'd fallen out of her bunk bed the night before. While she ran around, colouring on A0 sheets of paper i'd brought out, or mischeviously hovering around the kitchen, fingers full of raw cake dough or chocolate spread, Matt sat in a chair in the middle of the lawn, his back upright but his shouders bowed down as he sucked on constant cigarrettes held between his second finger and thumb. His eyes, when he inhaled looked past me over the smoke, the same blue eyes, harder, but every bit as big and wide.
He'd married a barmaid from Leicester, where his barracks were stationed and close enough to the town where he was from to believe that he was in love with her. He was 21 and she was 18 at the time. By the time i met his daughter they were divorced.

Elizabeth, was the only child i've ever met who've i've felt an instant kinship with. I loved how she'd react to her dads barked commands with faked obedience, and then go and do exactly the same thing 5 minutes later. Or how, when she looked at him and smiled innocently you could tell by the roll of his shoulders that his cold army heart was melting.

"You don't know what it's like there" was one of the only things he said, as we sat beside each other in the august sun, my stepdads godawful smooth jazz droning over us and into the sky. " There's no respect for life. It's not something i enjoy, but i'm going back. If i stay on then at least i get my pension, and in two more years i'll have a great salary"
He spoke his words without moving, only to light or drag from another cigarrette. Phrases he'd rehearsed to himself over and over, concepts that made sense through repetition. I admired his discipline and his daughter. And I miss him. My brother, Matthew.

martes, 25 de enero de 2011

2010



Pitufos



Mario Campos aka M-dog aka Busy-C drunk in his kitchen.

miércoles, 11 de agosto de 2010

Tuesday 4 Am


Photo: Logan White

I can see your feet. Even though you can't see me, i can see your feet through the bay windows, skipping on the green linoleum under florescent light. I'm two floors above you, but i can see your brown feet and the hem of your white dress.

It's 4 am and i wonder what you're still doing up. Me? I'm often up at this time. a couple of films, half a bottle of whisky, and i go to the window and smoke, my feet hanging over the ledge, enjoying the feel of the breeze and the gentle buzz and swoon of the booze through my body. my boozy body. Stained from the inside, and the outside a shoddy paint job of layered sweat, a new coat splashed on before the first one has dried. What are you doing up?

I can see your feet hanging off the edge of the bed. You're nothing to me. You are a series of images, fractured by the chestnut window frames, that, although i can't tell in this orange/midnight blue half light, i know from the afternoons are peeling and cracked by the seaside humidity. A horn comes off the ocean, loud and bellowing through the night, like a stuck bull through an amplifier.

I get sick of the fried smell, the burning buttered bread, and the coffee, that more and more in the mornings feels like a gritty medicine that i force down before it's cooled properly. I'm enjoying the ring stains the mugs and glasses leave on the furniture. I'm starting to accept the state i'm in.

If this was a different world we'd meet on the street, but yet you never seem to leave the house. When i'm here, you're there but you're not ususally up at this time. You're usually asleep, though sometimes i can see a pale llight screen flicker, this is the first time the lights have been on. I can see your feet and i wonder what's on the other end of them. Are there brown arms that hold a little brown baby in them, rocking it and singining it love songs, or just cooing unintelligably.

I fucking wonder.

I swirl the ice around in the glass, thinking about hurling it accross the street, wondering if it'll reach, or just explode impotently a floor above or below. I keep swirling the ice, looking down into the watery orange and thinking about the watery orange streetlights, and thinking about how easily whiskey goes down when there's ice in it. I finish the whisky and put the glass back down. YOu don't deserve that, but then again, i don't know you so i don't know what you deserve. Maybe you're a bitch. A murderous bitch. Maybe you're up at 4 am because you've just murdered your husband and kids. Maybe if i throw the glass you'll come for me next, or realise you've been sprung and come out and just before you leap the balcony and your head hits the bicycle rack twisting your neck horridly you'll look up at my pale legs dangling over the ledge, your cold hard eyes filled with unshed tears and i'll stare at you, without saying anything. Because you are nothing to me, just feet on green lineoleum on another night i could care less about.

sábado, 17 de octubre de 2009

Tiresias















Delante del hecho de ti
All possibilities, are realised
Delante del hecho de ti

Shall we make a plan,
To see each other next week?

Today i walked past a Crazy Man in the street
Clicking his fingers
as he talked to himself about you.

Do you bore, like a teapot,
Of filling and being filled
Simultaeneously?

You have pushed my teeth apart with your perfect teeth.
have unzipped your leather jacket,
have dropped your flowery dress at your feet.

Tiresias, The lack in me.
Is not what you desire.
Is there no lack in you?
No bald spot.
No gap in your smile
?

To you, the giving of gifts
Is a quaint tradiition.
lightly ridiculous:

As you give you take
as you wax you wane
as you surge you lull.

Yours is not the simple dichotomy
Of dark and light.

Yours is not cohabitation, nor metaphysics.

You are a new moon.
Sickle sharp and dropping
a fingernail of light over

Wolves. Sheep and men
below you on the black and white fields

domingo, 4 de octubre de 2009

SCARS



In cocaine users i've heard,
that the heart is scarred from years of attacks
so small you never notice.

The surgeon left a con-trail from your ribcage to your pubis.
on either side the staples, mark cats eyes
to the white line.

viernes, 28 de agosto de 2009

what i did today.

to say i woke up would be a total overstatement. I've been destroyed by a hangover all day, after getting welcomed back to madrid in the madrid way. going from bar to street to bar to atm to bar to street to club. Walking back through Sol, I heard the clock on the Casa de Correos chime, and remember trying really hard to count the chimes as i couldnt make out the hands on the clock face. I think there were 5 of them, but i'm not sure. I know i fell asleep fully clothed and with the light on. So today i did a bit of organising, took flo's bike to the bike repair shop, who told me that they wouldn't even look at it (wtf), got the number of some place in Embajadores who will (i still don't really understand why they said no...) so i'm doing that tomorrow morning. Oh and i started a band. They're called Gifted Children, which everyone thinks is a shitty name (apart from me) and so far the members are 2, me and garage band. But still, it's a better name than cock biscuit, and it's fitting cause my little sister just got 11 a stars in her gcse's. So yeah, well done her, and welcome back to madrid for everyone. It feels good you know, a ton of work to do, good people. I think what's left of 2009 is going to be great. 

here i am, if you are a girl or a teenage boy who plays the drums please get in touch. 
http://www.myspace.com/thosegiftedchildren

 

miércoles, 19 de agosto de 2009

O.M.G.I.M.Y.




IT WAS THE FIRST DAY OF 

YOUR NEW JOB AT THE ART GALLERY


ALL THAT MORNING

I'D BEEN BURNING TOAST


AND MAROONING BARELY SMOKED CIGARETTES

ON THE EDGES OF ASHTRAYS


MY WHOLE DESK 

WAS LIKE THE BREAKFAST TABLE

OF THE MARIE CELESETE


I WAS LOOKING FOR SOMETHING ONLINE

BUT FORGOT WHAT IT WAS SO I 

CLICKED THE LINK TO YOUR BLOG


YOUR FACE

WAS ON  THE SCREEN

NEXT TO A YOSHIMOTO NARA POSTCARD

OH MY GOD I MISS YOU IT SAID


I MISTOOK YOUR HONESTY 

FOR SOMETHING TACKY


THE REFLECTED SUNLIGHT OFF THE WAVES

BUT NOT THE DEEP BLUE AND GREEN GREY.

miércoles, 8 de julio de 2009

martes, 7 de abril de 2009

Forget Me Not

A few years ago I started reading Iris Murdoch’s the Sea the Sea, and put it down 40 minutes later cause it was boring as all hell. From what I remembered the protagonist was some old woman who was dying and lived in a lighthouse. Or maybe I’m getting it mixed up with another book by another woman writer who I haven’t read all the way through. Anyway, this week I picked up The Sandcastle, which does what indie bands do, which is choose a title for a record based on one conciet that occurs about a third of the way through. The more I think about it the more I hate it when people do that. It smacks of deliberatley trying to find a title and meaning for your product, which is ok in itself, but then when they sort of deliberatley obscure it seems smug somehow.

There’s a band from the UK called Gentle Friendly who I liked when I saw them supporting Ponytail (who I didn’t like) and listening to their tape (which I cant even remeber the title of) I like more and more, despite them having the worst band name since the Artic Monkeys. Actually Gentle friendly is better than The Artic Monkeys but only just.

There’s nothing particularly secretive about what GF do. It’s a casio, a loopstation, a couple of mics, a delay and a distortion pedal,and live, a drum kit. And it sounds like that. It’s lo-fi that takes the end result seriously but not the process. I wish more bands went about composing the same way.

The sandcastle great for the first third, but I’m still waiting for some great psycho-social revelation about 1950’s england. So far, all we’ve had is adultery and cricket.

lunes, 6 de abril de 2009

Hyperbole

Ohhhh shit Kingdom just reclaimed the word ‘banger’.

Mindreader is the dance track that is always secretly in yr head when you go to all those trendy DJ nights to see someone like Aeroplane and make all the wrong drinks choices, and don’t really dance and neglect to take it any further than a shy look at the only girl in the place you half fancied.
It’s 1991 ibza and 1996 Mampi Swift and 2001 Ciara and 2007 Crystal Castles, and it’s huge like a blue whale or the sky, or GDP of Luxembourg..

What the fuck is going on at Acephale? After putting the sound of a guilty coked up
wank over yr flatmates girlfriend on tape with SALEM, and changing one o clock in the morning forever with CFCF they go and hand the rest of the summer to you on a fucking plate. Or rather on one of 500 limited edition vinyls that you can only get at like 4 recod shops in the whole world. I’ve never met these guys but I imagine it’s like shaking hands with a Van de Graf Generator.

No you can't hear it.